Jim Jones, 'Hustler's P.O.M.E. (Product of My Environment)' (Diplomat/Koch)

Incessant chatter clutters up coulda-been rap contender.

This MC "capo" of Cam'ron's Harlem-based Diplomats clique constantly fills the usual empty space between bars with loony catchphrases ("Fly with the stars / G4 flights, 80 grand large"), and these flamboyant ad-libs almost overshadow his competent, if overlong, third solo album.

Sufjan Stevens, 'Songs for Christmas' (Asthmatic Kitty)

The holiday gift that keeps on giving and giving and giving.

Collecting four privately distributed EPs, plus a new one, this two-hour, five-disc retrospective of the Brooklyn songwriter's Christmas-themed output documents Stevens' transformation from unremarkable folkie Jesus freak to unorthodox Christian mega-talent.

The Low Frequency in Stereo, 'The Last Temptation Of...' (Gigantic Music)

Peppy Scandinavians raid their record collection.

Creating good trash rock is tricky -- come on too silly or too smart and you kill the buzz. This Norwegian quartet get it just right on their breezy third album, flinging punk aggression, surf-guitar twang, new-wave angst, and psychedelic weirdness into the same tangy, overheated stew.

Nellie McKay, 'Pretty Little Head' (Hungry Mouse)

Art-pop ingenue resurrects disputed major-label album.

Late last year Columbia sent this New York alternative cabaret singer's 16-track second album to some magazines (including this one) for review (read more), despite her intention to release it as a more sprawling 23-track disc.

Music As Torture: War Is Loud

UPDATED: At Guantanamo Bay, the military is attempting to break down Muslim prisoners by bombarding them with ear-splitting rap and metal, leading human rights activists to ask: When does an interrogation tactic become pure torture?
Illustration by Jeffrey Decoster

[Writer's note: When I was researching this story on the U.S. military and intelligence agencies' use of music as an interrogation tool back in 2006, I spoke to A. John Radsan, who had been assistant general counsel at the CIA from 2002 to 2004. I was specifically interested in trying to nail down exactly who had authorized the use of music in this manner.

Snoop Dogg, 'Tha Blue Carpet Treatment' (Doggystyle/Geffen)

We get it, dogg, you're a pimp and a thug, let's move on.

To hear Snoop Dogg tell it, this was supposed to be a return to the gritty sound of his early Death Row records. But the closest he gets here is lead single "Vato," a Neptunes-produced burner that almost makes him sound menacing again. Everywhere else, though, he's just retracing past missteps.

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