A Band of Bees, 'Octopus' (Astralwerks)

Masterfully rummaging through a big sack of styles.

Recorded in their home studio on Britain's Isle of Wight, the six-piece Bees' third album is the product of a joyously short attention span.

Sinéad O'Connor, 'Theology' (Koch)

No pope-bashing for peace-seeking universal mom.
As personally conflicted and complex as her hyperexpressive voice is pure, the Irish iconoclast flees pop celebrity again with this overly generous two-CD set of originals and covers about spirituality.

Bonde Do Role, 'With Lasers' (Domino)

Brazilian brats rock nasty rhymes - pandemonium ensues.

Does "world music" make you drool -- and not in the good way?

Mark Ronson, 'Version' (Allido/ RCA)

Son of a socialite hosts a time-traveling soul session.

Forging a streetwise musical identity out of his tony trans-atlantic lineage, this London-born, Manhattan-based DJ/producer unites two antithetical worlds -- recent and classic Britpop with vintage American R&B.

Socalled, 'Ghettoblaster' (JDub)

Ingenious cross-cultural mash-up, featuring Tevye.

The second album from Montreal rapper/producer Josh "Socalled" Dolgin may be the most unusual hip-hop album of the year. A trippy exploration of Jewish identity, it teems with collaborators, from indie MC C-Rayz Walz to Fiddler on the Roof legend Theodore Bikel. Klezmer melodies waft over Socalled's MPC beats, evoking New York's Second Avenue district, a.k.a.

Mandy Moore, 'Wild Hope' (The Firm/ EMI)

Teen-pop princess baby steps toward artistic adulthood.

On 2003's Coverage, Mandy Moore showed she had good taste -- covering XTC, Joni Mitchell, Joe Jackson, etc. -- but artistically, she was still stuck in a candy-pop bubble. Now, on her fifth album, she finally tries to tell her own story, with co-writing help from singer/songwriters Rachael Yamagata and Lori McKenna, as well as Boston folk-pop duo the Weepies.

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