Gogol Bordello, 'Super Taranta!' (Sideonedummy)

New York's radical raconteur watches reality crash his party.

Eugene Hütz's revolution has hit a snag.

The Ghost Is Dancing, 'The Darkest Spark' (Sonic Unyon)

Canadian indie-rock collectives start hockey league - kidding!

A mini rockestra that will suffer and benefit from Arcade Fire and Broken Social Scene comparisons, the Ghost Is Dancing feature multiple members and a variety of instruments (trumpets, Theremin, pump organ), along with a tuneful eagerness that's hard to dislike.

Robbers on High Street, 'Grand Animals' (Scratchie/ New Line)

Strokes/Walkmen pretenders expand their ambitions.

This New York band still use the staccato guitar rhythms that made their debut album, Tree City, such a jagged wrecking machine. But here, that tight, compressed punch is augmented by subtle orchestrations whose airy ambience hints at the chameleon funk of David Bowie and the dance-floor minimalism of early B-52's.

Videohippos, 'Unbeast the Leash' (Monitor)

Pop songs lurk beneath the demented, droning bedlam.

On the surface -- the name, the druggy artwork, the drum machines -- Videohippos look and sound deliberately abstruse, but at the heart of the seemingly lawless Unbeast the Leash lies a desire to be hummed, not shunned.

Chase Pagan, 'Oh, Musica!' (The Militia Group)

Florid songs ask the question: Crazy genius or just crazy?

Moaning, shrieking, and sighing with hardly a pause for breath, Chase Pagan seems trapped in a moment of ecstasy that should have been kept private.

Sean Na Na, 'Family Trees -- or -- CoPe We Must'

Tired of Har Mar Superstar? Well, actually, so is he.

People only familiar with Sean Tillmann's role as sleazy, R&B singer Har Mar Superstar are in for a surprise. On an album more Ted Leo than R.

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