Sum 41, 'Underclass Hero' (Island)
It's always been tempting to define Sum 41 by what they're not -- not pointed and ambitious like Green Day, nor goofy and irreverent like Blink-182 -- but their fifth album makes such judgments feel like needless bellyaching.
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The Inquisition: Simon Le Bon
Since their early-'80s heyday as de rigueur New Romantic pinups, Duran Duran have sometimes found chart success as easy as -- to borrow one of their more memorable lyrics -- a nuclear war. However, the band's 12th studio album, Red Carpet Massacre (Epic) -- featuring production by Timbaland and vocals and songwriting
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Mekons, 'Natural' (Quarterstick)
During an unpredictable 30-year run, Britain's Mekons have taken their scruffy '70s punk roots and pieced together a wonderfully literate version of American honky-tonk, among other eccentric strategies.
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Super Furry Animals, 'Hey Venus!' (Rough Trade/ Beggars)
Making art-rock epics is exhausting work, and if any band has earned the right to dial down the galaxy-hopping ambition, it's these Welsh oddballs. Their eighth album eschews the usual genre-splicing and orchestral sweep in favor of unfussy, hook-filled tunes that generally try to make a point in less than four minutes.
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Gliss, 'Love the Virgins' (Cordless)
These Los Angelenos approach their hometown's timeless decadence with a bummed-out but exhilarating rigor: Digitized romantic obsession ("I Want You"), swaggering degradation ("Innocent Eyes"), country-rock erotica ("Falling to Pieces"), and suburban Anglophilia ("Off to Bed", which drives the Cure's pop-craft down My Bloody Valentine's distortion freeway
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Caribou, 'Andorra' (Merge)
The fourth Caribou album by multi-instrumentalist Dan Snaith (who has also recorded electronic music under the moniker Manitoba) sounds like it was hatched in a '60s West Coast haze where melodies billow up like bong smoke.




