Sum 41, 'Underclass Hero' (Island)

Once-hateable pop punks craft disturbingly likable hooks.

It's always been tempting to define Sum 41 by what they're not -- not pointed and ambitious like Green Day, nor goofy and irreverent like Blink-182 -- but their fifth album makes such judgments feel like needless bellyaching.

The Inquisition: Simon Le Bon

The Duran Duran frontman talks marriage, Timbaland, and the band's forthcoming album, Red Carpet Massacre.

Since their early-'80s heyday as de rigueur New Romantic pinups, Duran Duran have sometimes found chart success as easy as -- to borrow one of their more memorable lyrics -- a nuclear war. However, the band's 12th studio album, Red Carpet Massacre (Epic) -- featuring production by Timbaland and vocals and songwriting

Mekons, 'Natural' (Quarterstick)

Aging rebels sound like they're just getting revved up.

During an unpredictable 30-year run, Britain's Mekons have taken their scruffy '70s punk roots and pieced together a wonderfully literate version of American honky-tonk, among other eccentric strategies.

Super Furry Animals, 'Hey Venus!' (Rough Trade/ Beggars)

Ladies and gentlemen, we are no longer floating in space.

Making art-rock epics is exhausting work, and if any band has earned the right to dial down the galaxy-hopping ambition, it's these Welsh oddballs. Their eighth album eschews the usual genre-splicing and orchestral sweep in favor of unfussy, hook-filled tunes that generally try to make a point in less than four minutes.

Gliss, 'Love the Virgins' (Cordless)

Billy Corgan's favorite new band actually deserves the hype.

These Los Angelenos approach their hometown's timeless decadence with a bummed-out but exhilarating rigor: Digitized romantic obsession ("I Want You"), swaggering degradation ("Innocent Eyes"), country-rock erotica ("Falling to Pieces"), and suburban Anglophilia ("Off to Bed", which drives the Cure's pop-craft down My Bloody Valentine's distortion freeway

Caribou, 'Andorra' (Merge)

Canadian bedroom auteur follows his stoner-pop bliss.

The fourth Caribou album by multi-instrumentalist Dan Snaith (who has also recorded electronic music under the moniker Manitoba) sounds like it was hatched in a '60s West Coast haze where melodies billow up like bong smoke.

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