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Maybe Enon get more credit for weirdness than they deserve, or maybe the world has just gotten stranger since the Philly band's spastic beginnings, but their fourth album of electro-inflected jitter rock sounds surprisingly familiar.

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Swedish-born songwriter Jens Lekman has a penchant for grand pronouncements, and his pop opuses are rife with strings, choirs, and samples (everything from Renaldo & the Loaf's "Hambu Hodo" to his own childhood squeaks).

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According to the historical record, an English professor (Donda) and photojournalist (Ray) brought Kanye Omari West into this earthly cipher in Atlanta in 1977. But in actuality, the rapper/producer was born in the hip-hop ether in 1997 with the release of the orgiastic video for the No.

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For a minute there, it looked like Bruce Springsteen was acting his age.

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After four albums with the Concretes, Swedish gamine Victoria Bergsman departed for the inevitable solo project; instead, her hollowed-out, achin'-to-be vocals added a rueful drone to Peter Bjorn and John's "Young Folks." Now, with minimalist production from Bjorn and John, Bergsman's new work has