The Busy Signals, 'The Busy Signals' (Dirtnap)

Record geeks and punk-diva ringer bring power-pop fury.

Halfway through "Plastic Girl," the opening track on the Busy Signals' debut, a Buzzcocks riff gives way to a hot and sweaty X-style harmony between throaty singer Ana McGorty and bassist Jeremy Thompson.

Spank Rock and Benny Blanco, 'Bangers & Cash' (Downtown)

As nasty as they wanna be -- with a postmodern rimshot.

Old Time Relijun, 'Catharsis in Crisis' (K)

Holy hell-raisers find heaven - and keep on going.

Old Time Relijun's seventh album has its precedents: producer Calvin Johnson's trademark no-fi pop, the Cramps' sexed-up shockabilly, Captain Beefheart's gnarled jazz and R&B (OTR's name even references a Beefheart tune).

Meshell Ndegeocello, 'The World Has Made Me the Man of My Dreams' (Emarcy)

She is totally forgiven for that John Mellencamp situation.

Sounding less like the jazz-funk chanteuse of old, Ndegeocello incorporates melodic post-punk à la TV on the Radio and channels Funkadelic's acidic guitar on her seventh album.

Ryan Bingham, 'Mescalito' (Lost Highway)

Bull rider turned troubadour tries to avoid bullcrap.

Here's how it'll go: First, you'll see this young Texas singer/songwriter on the cover of his debut album -- sitting in the middle of a desolate highway, jeans torn, cowboy hat. Then you'll flip on the first track and hear pleasantly road-worn fingerpicking, plaintive harmonica, and a cigarette scorched moan.

Om, 'Pilgrimage' (Southern Lord)

High priests of stoner doom lull, then slowly bludgeon you.

Since their days in Sleep, Al Cisneros and Chris Haikus have been making monastery metal, a druggy, often quiet combo of Black Sabbath and Low. Pilgrimage throbs and grinds with hypnotic, almost dubby bass.

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