Birdmonster, 'From the Mountain to the Sea' (Fader)
The best moments are buried in the details on the second album from this roots-inclined San Francisco band.
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Douglas Armour, 'The Light of a Golden Day, the Arms of the Night' (The Social Registry)
The debut album from this versatile Los Angeles singer/ songwriter is split into two distinct sides: The first half skews in favor of melancholic post–Postal Service synth pop, and the other focuses on a slightly more ambient version of the Shins' folk pop.
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Adem, 'Takes' (Domino)
This Turkish-English folksinger's album of cover versions is an exceptionally well-curated disc with intriguing selections penned by Low, Yo La Tengo, and Tortoise. But despite his good taste, Adem's competent yet generally uninspired acoustic arrangements make him sound like a coolly ambitious street busker.
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Black Kids: The Young and the Reckless
"I only do TV interviews nowadays," Ali Youngblood jokes backstage at Manchester University's Academy 3. A breathless monsoon of innuendo, wisecracks, and drawled chuckles, the 24-year-old keyboardist for one of the most talked-about bands of 2008 doesn't seem fazed by the attention.
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My Bloody Valentine: The Opposite of Rock'N'Roll
D'Angelo: What the Hell Happened?
On a Sunday in April 2006, Gary Harris pulled up to D'Angelo's large starter mansion outside Richmond, Virginia, in a limo. Harris, the A&R man who'd first signed D'Angelo in the early '90s and who had overseen his 1995 debut, Brown Sugar, was on a mission: to escort the singer to Eric Clapton's Crossroads Treatment Centre in Antigua.




