Bloc Party, 'Intimacy' (Atlantic)
After the success of 2005's spiky, straightforward debut, Silent Alarm, Bloc Party took an undeserved thumping for last year's more textured, politically minded, and ultimately better A Weekend in the City.
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Media Horde: Kelly Slater
Black Rock: An Oral History
In 2008, indie-rock bands with black members virtually amount to a genre unto themselves; think TV on the Radio, Black Kids, Bloc Party, the Dirtbombs, Apollo Heights, Earl Greyhound, and Dragons of Zynth, among many others.
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The Inquisition: T-Pain
In 2005, Faheem Najm (a.k.a. T-Pain) descended on the scene armed with a quavering robo-tenor, audacious top hats, and an endless supply of lyrics about strippers.
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Kaiser Chiefs, 'Off With Their Heads' (Universal/Motown)
Take a band known for crossing Britpop brains with new-wave brightness. Hire a transatlantic DJ-producer feted for making hot '60s soul cool again. Then entrust the results -- surprisingly feeble tunes, tossed-off sentiments, and uninspired performances -- to the guy who mixed Linkin Park? Blimey! Kaiser Chiefs have got themselves a stadium-size mess.
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Snow Patrol, 'A Hundred Million Suns' (Geffen)
In a climate noisy with hip-hop, shiny R&B, bashful indie, and rockers who exploit grunge's worst traits, Snow Patrol stand out as staggeringly straight-arrow, playing spacious rafter-rock that practically begs to be loved. In fact, these Irishmen have only one real contemporary: Coldplay.





