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At this point, a new Omar Rodríguez-López album sounds about as thrilling as a Law & Order rerun: Excluding Mars Volta recordings, Xenophanes is his 11th release since 2007. But there's reason to take notice this time, as the album relegates the guitarist's often-tedious sonic experiments to mere interludes.

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All Chris Carrabba’s albums as heartthrob-in-chief of Dashboard Confessional have been about tension, primarily romantic: He can't help comparing his current love to the idealized version in his pretty little head. But an aesthetic battle also rages within Carrabba, one pitting Dashboard's solo-acoustic roots against the frontman's desire to move arenas with the intensity of his emotion.

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In the eight years since the Strokes instigated savior-speak with the gutter-glam classic Is This It, Manhattan has been nanny-stated into bland fashionability, the quintet's hipster status has gradually declined, and its rhythm guitarist, drummer, and bassist have all beaten singer Julian Casablancas to recording solo albums. "Last Nite" was a long time ago.

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After listening to Weezer's seventh release, you may want to describe frontman Rivers Cuomo with one word: demented.

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"I want us thinking outside the box," Shakira tells a lover on her third English-language studio disc.