Depeche Mode, 'Sounds of the Universe' (Mute/Capitol/Virgin)

Iconic gloom merchants mellow out -- somberly.

This is Depeche Mode's 12th studio album, but it's only the second they've released since the dance-rock style they helped invent caught fire among crate-digging hipsters half their age.

Peter Bjorn and John, 'Living Thing' (Almost Gold/Startime)

Success makes a mess of not-so-young folks' lives.

Two years ago, this Swedish trio scored an international smash with "Young Folks," an indie-pop sleeper so relentlessly upbeat that everyone from Kanye West to Budweiser whistled its refrain. But now, as fans await another breezy hit, PB&J take a dark turn, as if consumed by success-story guilt.

The Thermals, 'Now We Can See' (Kill Rock Stars)

Punk's peppiest diehards scream from the grave.

Call it Songs in the Key of Death. Written from a corpse's perspective, these Portland, Oregon punks' fourth album celebrates the joys of being young and alive: drinking, snogging, and writing three-chord odes to drinking and snogging.

The Warner Music/YouTube Breakup and the Future of Online Video

As a major label struggles to maintain revenue streams in the digital age, will artists ultimately suffer?
Illustration by the Heads of State

Last Christmas Eve, singer Amanda Palmer posted a message on her blog: "If you hadn't noticed, all of the Dresden Dolls and Amanda Palmer official videos have been taken off YouTube. I loved my videos. Now they are gone...Did I mention that being on a major label is starting to seem like...not such a grand idea?"

The Inquisition: Tough Questions for Martin Gore

"I think we've done pretty well," says the Depeche Mode songwriter. "If God was judging us, I think he'd give us a seven."
Martin Gore / Photo by Anton Corbijn

Dave Gahan may be the voice and snaky hips in front, but it's Martin Gore, with his choirboy vocals, perverse stage getups, and hyper-emotional songwriting, who provides Depeche Mode with its dark heartbeat.

Hot New Band: Mt. St. Helens Vietnam Band

Playful Seattle quintet taunt bloggers with fake PSAs, satiate them with boisterous guitar rock.
Photograph by Sarah Cass

It's safe to say that most bands are in touch with their inner child, but Seattle indie rockers Mt. St. Helens Vietnam Band have an actual adolescent keeping the beat: Marshall Verdoes, 14. "He destroyed drum sets when he was two," says bandleader Benjamin Verdoes, 27, whose mother adopted Marshall as a baby.

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