Animal Collective, 'Water Curses' (Domino)

Electronic pop naturalists create a sonic life aquatic.

Amid the globules of sound on "Cobwebs," Animal Collective's Avey Tare mumbles about being "organic like strawberry meat." But on this new four-song EP, that's as close as the Brooklyn group gets to the compacted Day-Glo noise pop of last year's Strawberry Jam.

Quiet Village, 'Silent Movie' (K7)

Dj/production partners give cocktail soundtrack a twist.

Named for Martin Denny's seminal exotica/lounge album, Quiet Village opt for a sketchy sunset -- rather than the more traditional nymph in a loincloth -- on the cover of their woozy, sampledelic debut.

Orchestra Baobab, 'Made in Dakar' (World Circuit/Nonesuch)

African sophisticates rev up their groove machine once more.

Since re-forming for the 2002 comeback Specialist in All Styles, this ’70s/’80s Senegalese band, like elder rockers Mission of Burma and Wire, remain incan-descent and relevant a second time around. Revisiting tunes from nights spent in steamy

Jennifer Cardini, 'Feeling Strange' (Kompakt)

French mixmistress shatters minimal techno's glass ceiling.

The first female artist to release a record on the famed Kompakt label, Jennifer Cardini distills those disorienting moments when you first plunge into the murk of an underground club.

Atlas Sound, 'Let the Blind Lead Those Who Can See But Cannot Feel' (Kranky)

Eccentric avant-punk raconteur takes it back to the womb.

Van Hunt, 'Popular' (Blue Note)

Despite career complications, crooner is still raucously crossing genres.

Grammy-winning soul man Van Hunt is stuck in commercial limbo: too impish to fill the neoclassicist void left by D'Angelo and Maxwell, not quirky enough to cross over to white alternative fans (see André 3000, Cee-Lo). Add Capitol shifting him to jazz label Blue Note, and Hunt has reason to be frustrated.

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