Great Northern, 'Remind Me Where the Light Is' (Eenie Meenie)

Cozy indie-pop twosome take on Bono's burden.

Having survived guitar bands both forgettable (Whirlpool) and regrettable (30 Seconds to Mars), Los Angelenos Rachel Stolte and Solon Bixler started over with intimate, piano-led dream-pop duets on their 2007 debut as Great Northern. But for the follow-up, they revert to big, heroic guitars -- should-be single "Houses" even recalls not-too-shabby U2.

Pet Shop Boys, 'Yes' (Astralwerks)

Reinvigorated synth-pop vets confront mortality.

Halfway through their startlingly effusive tenth album, this discerning duo frets on "Vulnerable" about how to keep its show on the road. Ex-Smith Johnny Marr and Arcade Fire collaborator Owen Pallett help solve the dilemma with chiming guitars and windswept orchestrations, while U.K. girly-pop production team Xenomania bring mirrorball sparkle to alternately anxious and elated ballads.

Joker's Daughter, 'The Last Laugh' (Team Love)

Spooky Brothers Grimm grooves from Brit folkie.

London's Helena Costas sings of King Arthur and jousting knights, giant flying trolls, and a magical bull that avenges the injustices of man. Not interested?

Bat for Lashes, 'Two Suns' (Astralwerks)

Ex-nursery-school teacher weeps over book of love.

Is sultry English multi-instrumentalist Natasha Khan more than just the latest Sarah McLachlan for indie snobs?

Röyksopp, 'Junior' (Astralwerks)

Cool Norwegians turn on the Technicolor.

Despite their wintry chill-out origins, Nordic keyboard pair Svein Berge and Torbjørn Brundtland create smooth, sunny sounds perfect for roller-skating on rainbows.

Marianne Faithfull, 'Easy Come, Easy Go' (Decca)

Battered bird takes second flight on borrowed wings.

Reuniting with tribute-album master Hal Willner for another intricately arranged and wide-ranging covers collection, this fallen British Invasion angel again proves she lacks the flexibility that jazz demands -- she simply can't swing.

Syndicate content