Coachella Blog, Day Two: Mommy, Why Does Everybody Have a Bomb?
In a better universe, Prince would've been the original alternative rocker. Able to play virtually any instrument in virtually any style -- funk, soul, R&B, gospel, pop, rock, folk, psych, new-wave -- he was a multiracial, pansexual, politically minded, sacredly profane fashion freakazoid who posed in the shower wearing a trench coat and a "Rude Boy" button.
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Coachella Blog, Day One: Summer Is Ready When You Are
Here are two skewed views of the Coachella Valley Music & Arts Festival, which opened its three-session 2008 cavalcade at Empire Polo Field in Indio, California Friday (just minutes away from where the late Merv Griffin once held court as the cardiganed billionaire pasha of this desert resort-village refuge, as the sultan of streets named after legendary golfers -- Nicklaus, Palmer, even We
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Do What Thou Wilt: Led Zeppelin Reunite in London
When a bleary Jimmy Page, Robert Plant, John Paul Jones, and Jason Bonham formed a sweaty scrum, soaked up the adulation of 22,000 fanatics, and left London's O2 Arena stage after 130 minutes on December 10, 2007, the logo still remained.
LED ZEPPELIN.
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Soulsavers, 'It's Not How Far You Fall, It's the Way You Land'
"There's gonna be a revival tonight," intones Mark Lanegan, accompanied by members of the London Community Gospel Choir, to open the second Soulsavers album from British producers Rich Machin and Ian Glover. Enveloped by a lush organ and dusty, looped beat, Lanegan sounds, if not reborn, then hopeful, which is a fresh look for the grunge-scarred meth-blues crooner.
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The Pack, 'Based Boys' (Up All Nite/ Jive)
When the sneaker-pimpin', sleigh-bell-shakin' hit "Vans" blew up online last year, these kids were poised to be the first bona fide breakout act for the forever-bubblin' Bay Area hyphy scene (despite being performing- arts-school kids assisted by old-timer Too Short, one of the members' uncles).
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Ghostland Observatory, 'Paparazzi Lightning' (Trashy Moped)
When Daft Punk's alien ghetto blast "Da Funk" touched down at a Texas rave in the late '90s, there wasn't an X Files-level conspiracy panic, but the ground was irreparably shaken for drummer/ keyboardist/producer Thomas Turner.




