Black Rock: An Oral History
In 2008, indie-rock bands with black members virtually amount to a genre unto themselves; think TV on the Radio, Black Kids, Bloc Party, the Dirtbombs, Apollo Heights, Earl Greyhound, and Dragons of Zynth, among many others.
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The Raconteurs, 'Consolers of the Lonely' (Third Man/Warner Bros.)
Is Jack White better off working with only one other person?
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T Bone Burnett, 'Tooth of Crime' (Nonesuch)
Few musicians conjure apocalyptic dread better than Burnett, and few plays foresaw a world of toxic entertainment more presciently than Sam Shepard's 1972 Tooth of Crime. So a Burnett album based on Shepard's old project makes sense. But between the singer/songwriter's hectoring-preacher delivery and predictable surf-guitar-noir arrangements, the result is one dreary sermon.
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Who Earns What
It's widely reported how much the wealthiest pop stars make. Pick up a fi nancial magazine and you'll read about the 2007 earnings of the Rolling Stones ($88 million), U2 ($30 million), and Britney Spears ($9 million). Even Elvis Presley took in $49 million last year -- and he's been dead for 30 years.
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Hey! Ho! Let's Shop!
Another day, another delivery of Ramones wear to the East Village home of Arturo Vega, the band's former lighting director and art coordinator. (He designed their eagle insignia.) "More merchandise," Vega says with a resigned smile, ripping open a box containing new T-shirts featuring the faces of Joey, Johnny, Dee Dee, and Tommy.




