Who's Next '08: Jay Reatard
In a nutshell: The Memphis native's musical career got off to an early start after his dad gave him an ultimatum in 1995: Do your homework or give up your guitar. The decision was a no-brainer for Reatard (born Jay Lindsey), whose moniker comes from a misspelling on an early homemade cassette. "I moved out of my dad's house and never showed up for the first day of grade nine," he says.
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Who's Next '08: Chester French
It doesn't sound very cool, but D.A. Wallach and Maxwell Drummey, the Harvard alums who make up harmony-loving pop duo Chester French, owe their success to solid study habits. "We got deep into the canon of classic rock in the summer between our freshman and sophomore years," says Wallach, 22, whose ghostly pallor, goofy grin, and scarlet hair make him resemble a modern-day Archie.
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Eddie Vedder, 'Music for the Motion Picture Into the Wild' (J/Monkeywrench)
This humble, hazy soundtrack to Sean Penn's film about tramping and tragedy in the American wilderness is probably as close as the Pearl Jam singer will ever come to recording a psych-folk album.
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MGMT
Last winter, MGMT began to think the world might end. So Andrew Vanwyngarden and Ben Goldwasser did what any reasonable neo-hippie music majors would do: They decamped to a desolate sliver of Brooklyn and concocted some seriously freaky songs. "Something's about to go down," explains Goldwasser, a paisley headband keeping his brown curls in place.
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Magnolia Electric Co., 'Sojourner' (Secretly Canadian)
A four-CD-plus-DVD behemoth packaged in a wooden box, Sojourner was recorded in four different locations by Magnolia singer/songwriter Jason Molina with help from a cast including engineer Steve Albini, Cracker's David Lowery, and singer/violinist Andrew Bird.
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Memphis, 'A Little Place in the Wilderness' (Good Fences)
Wilderness proves that no matter the setting, Stars frontman Torquil Campbell can effortlessly pen literate, melodically affecting pop tunes that sound like soap operas for postcollegiate bohos. But without Stars covocalist Amy Millan to kick him in the ass, plodders like "The Night Watchmen" find Campbell crossing over from melancholy to mopey.




