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Despite being enamored with ska’s Jamaican skank, Madness never forgot their working-class British roots. And the band’s first album of new material in a decade owes a greater debt to the Kinks than to Prince Buster.

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This Orlando crew is like a bizarro world Black Eyed Peas. SoS’s Swamburger, a forceful, hyperliterate MC, and Alexandrah, a beguiling vocalist, have a will.i.am/

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To call this synth-slathered electro-R&B side project from Ra Ra Riot’s Wes Miles and Vampire Weekend’s Rostam Batmanglij a genre experiment implies it’s a failure. It’s not.

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Let's be honest: Moby has been treading water ever since 1999's multiplatinum Play. Sure, there was some interesting music -- as well as some banal crap -- on his last three albums, but overall he's been a man without a compass. Wait for Me isn't exactly a statement of clarity, but it's easily his loosest, most consistent work in quite a while.