The Ponys, 'Turn the Lights Out' (Matador)
The Ponys' wonderfully visceral sound comes from playing amps as much as songs, which means recording values are particularly make-or-break for this Chicago foursome.
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Subtle, 'For Hero: For Fool' (Lex/Astralwerks)
Many acts have tackled hip-hop from a rock mind-set, but most get mired in the sticky thicket of authenticity, i.e., is it real?
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Chin Up Chin Up, 'This Harness Can't Ride Anything' (Suicide Squeeze)
Reeling from bassist Chris Saathoff's death in a 2004 hit-and-run, Chin Up Chin Up finished their sublimely hooky debut, We Should Have Never Lived Like We Were Skyscrapers, by culling his parts from rehearsal tapes.
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Diamond Nights, 'Popsicle' (Kemado)
What kind of art does America want when the country falls on hard times -- say, an increasingly unpopular war? One theory is that the public will escape from current events through pure nostalgia. Another line of thinking says people will develop a newfound appetite for introspective, artistically meaningful entertainment that mirrors their somber mood.




