The Ponys, 'Turn the Lights Out' (Matador)

Finding just the right level of sonic sloppiness.

The Ponys' wonderfully visceral sound comes from playing amps as much as songs, which means recording values are particularly make-or-break for this Chicago foursome.

Subtle, 'For Hero: For Fool' (Lex/Astralwerks)

It's not your older brother's rap rock, yo.

Many acts have tackled hip-hop from a rock mind-set, but most get mired in the sticky thicket of authenticity, i.e., is it real?

Chin Up Chin Up, 'This Harness Can't Ride Anything' (Suicide Squeeze)

Post-tragedy, Chicagoans refine their complex sound.

Reeling from bassist Chris Saathoff's death in a 2004 hit-and-run, Chin Up Chin Up finished their sublimely hooky debut, We Should Have Never Lived Like We Were Skyscrapers, by culling his parts from rehearsal tapes.

Diamond Nights, 'Popsicle' (Kemado)

That-We're-Still-Milking-the-'70s-Show

What kind of art does America want when the country falls on hard times -- say, an increasingly unpopular war? One theory is that the public will escape from current events through pure nostalgia. Another line of thinking says people will develop a newfound appetite for introspective, artistically meaningful entertainment that mirrors their somber mood.

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