Neil Young, 'Sugar Mountain Live at Canterbury House 1968' (Reprise)

When he was so cool that burning out was for losers.

A dark, spectral presence in '60s folk rockers Buffalo Springfield, the youthful Neil Young also had an unnerving social adeptness. His deceptively fragile vocal style and skewed lyrical genius were already evident at age 22 in these 13 acoustic songs recorded over two nights at a Michigan Episcopal church.

Eagles of Death Metal, 'Heart On' (Downtown)

Transcending side-project goof, rock dudes get joyously crude.

When Josh Homme slithers into his Baby Duck persona as drummer for Eagles of Death Metal, he's giddily set free, unfettered by the pillaging, Viking-frontman duties of Queens of the Stone Age.

The Pretenders, 'Break Up the Concrete' (Shangri-La)

Rock's pissy goddess takes off the stilettos and gets her feet dirty.

Chrissie Hynde has lived in London for the past three decades, yet Breaking Up the Concrete, her band's ninth album, has deep roots in thorny American '50s rock'n'roll and seditious rockabilly rave-ups.

Tom Morello: The Nightwatchman, 'The Fabled City' (Epic)

The news is getting worse on guitar hero's follow-up dispatch.

On his second agit-folk album under the Nightwatchman persona, Rage Against the Machine and Audioslave guitarist Tom Morello incorporates electric instrumentation and foregrounds his sonorously ponderous baritone, aspiring to, if not attaining, the gravity of Johnny Cash, Tom Waits, and Nebraska-era Bruce Springsteen.

Kings of Leon, 'Only by the Night' (RCA)

Swaggering Tennessee boys find mad love on the moonlit road.

On their fourth album, the Kings of Leon still rule with a messy hand, applying rough magic and blurry, slurred imagery to their swashbuckling rock. Sonically more Stones than Skynyrd, the Nashville quartet still travel the haunted ground between sin and redemption that their Dixie forefathers have tilled since the Allman brothers first wailed "Whipping Post" at the end of the '60s.

Buckcherry, 'Black Butterfly' (Atlantic/Eleven Seven)

For these tattooed riff rogues, Rock of Love is still real life.

Dirty-minded, unrepentant, and awash in bad-boy charm, Black Butterfly makes you forget hair metal's demise was more than 15 years ago. Boiling over with twitchy guitars and naughty propositions that'd make Steven Tyler blush -- if he didn't demand a cut of the Aerosmith-indebted "A Child Called 'It'" -- these Los Angelenos deliver a brash follow-up to 2006's platinum-selling 15.

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