Electric Six, 'Kill' (Metropolis)

Motor City horndogs are back to trash happy hour.

This Detroit band has yet to match the goofy disco-metal glory of 2003's Fire (you'll recall "Danger!

Bad Lieutenant, 'Never Cry Another Tear' (Triple Echo)

Manchester legend and protégé mope and moon.

Bernard Sumner throws one curveball with his new band, letting unknown Mancunian Jake Evans take a few turns on the mic. Those tracks -- particularly "These Changes" -- heavily echo Doves' forceful melancholy, while the others echo, well, New Order.

Islands, 'Vapours' (Anti-)

Canadian indie rocker finds his joy in Brooklyn.

Pearl Jam, 'Backspacer' (Monkeywrench)

Ed Ved and the crew crank up the carpe diem to 11.
Photo by Danny Clinch

Conventional wisdom marks 2006's Pearl Jam as the grunge outfit’s reignition point after years without a spark. If that's true, then the first three songs on their ninth full-length are the explosion at the end of an extremely long fuse.

Lou Barlow, 'Goodnight Unknown' (Merge)

Formerly unfriendly minstrel tidies up act.

Is Lou Barlow leading a three-pronged early-'90s indie-rock resurgence?

Danko Jones, 'Never Too Loud' (Bad Taste)

Canucks keep their rock hard just long enough.

This Canadian power trio started life garage-y and sex-crazed, and on their fourth album, the latter fully takes precedence, as frontman-namesake Jones proclaims he’s a “leg and ass man” on “Still in High School.” Moments of Never Too Loud -- particularly the slick, Kid Rock–ish “Take Me Home” -- could jar longtime fans, but Jones knows how to throw down odes to rockin’

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