50 Cent, 'Before I Self Destruct' (Aftermath/Interscope)

It's not the G-Unit leader's birthday anymore.

Curtis "50 Cent" Jackson said his long-delayed fourth album would be "like a prequel" to his blockbuster 2003 debut Get Rich or Die Tryin' -- in other words, a back-to-basics return to the rapper-mogul's more aggressive roots.

Gorillaz, 'D-Sides' (Virgin)

Funky monkeys clean house with roundup of odd tracks.

Two albums as a cartoon chimp finally brought Damon Albarn the U.S. success he barely tasted in Blur.

Spank Rock and Benny Blanco, 'Bangers & Cash' (Downtown)

As nasty as they wanna be -- with a postmodern rimshot.

Battles, 'Mirrored' (Warp)

Songs guaranteed to start a mosh pit at band camp.

Remember "shock and awe"?

Dizzee Rascal, 'Maths & English' (Dirtee Stank/ XL)

Feisty East Ender goes overboard with guest list.

London rapper/producer Dizzee Rascal went from upstart Boy in da Corner to Showtime sensation over the course of his first two albums, carrying the standard for the bellicose, breakbeat-based U.K. grime scene.

Swizz Beatz, 'One Man Band Man' (Universal Motown)

And you thought DMX was the unstable one.

"My album's crazy," boasts Kasseem Dean, a.k.a. Swizz Beatz, throughout his second solo record. While other rap/R&B producers turned performers have been disappointingly uneven lately -- Timbaland, WTF?

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