Bright Eyes, 'Cassadaga' (Saddle Creek)
The bummer about boy geniuses is that they feel ancient so soon. One day Conor Oberst is a teenage Dylan, scribbling metaphors while his friends' band-camp orchestras weave daisy chains around him, the next he's a 27-year-old J. Alfred Prufrock, singing, "I got old in an instant / Now I'm all on my own."
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Elliott Smith, 'New Moon' (Kill Rock Stars)
If there is comfort in being sad, Elliott Smith knew it once. The late singer/songwriter's early four-track recordings were about the good kind of loneliness: wandering through the city just before morning, waiting for a train to come or a drug to kick in, hoping that something might happen.
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'Awww Sh--, Look Who Got a Web Site'
If you put a nickel in the bank every time the word prolific appeared in print before Ryan Adams' name, you'll have saved enough by next year to buy a Ferrari Enzo that's been dipped in beluga caviar and bedazzled with pink sapphires.
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Burning Man
Once, Burning Man sounded like a ghost story: people trekking through sand dunes, building a city in the middle of nowhere, making a fire, then disappearing completely. When the festival's founder, Larry Harvey, first invited his friends to San Francisco's Baker Beach in 1986 to set an eight-foot wooden figure aflame, the ritual was just one man's spontaneous art.
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The Spin Interview: Cat Power
What follows is an unabridged version of the Cat Power interview that appears in our December issue. Chan Marshall does not look troubled. On this late September afternoon, the fresh-faced and ponytailed 34-year-old singer, better known as Cat Power, perches on a windowsill outside Manhattan's Mercer Hotel, humming little ditties. Petting homely poodles.
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The Art of Falling Apart
If you're looking for the punk-rock girl from New Jersey, you'll find her in West Hollywood, sipping wine.



