Norah Jones, 'The Fall' (Blue Note)

Don't know why she didn't do this before.

Thanks to the involvement of folks like Ryan Adams (who cowrote one song) and Kings of Leon producer Jacquire King, The Fall has been billed as Norah Jones' rock album. In fact, it's something even more surprising: a hot-blooded soul record from the queen of the even keel.

Shakira, 'She Wolf' (Epic)

Latin pop mami down for whatever, wherever.

"I want us thinking outside the box," Shakira tells a lover on her third English-language studio disc.

Dashboard Confessional, 'Alter the Ending' (Vagrant/Interscope)

King of emo-folk pain embraces two-state solution.

All Chris Carrabba’s albums as heartthrob-in-chief of Dashboard Confessional have been about tension, primarily romantic: He can't help comparing his current love to the idealized version in his pretty little head. But an aesthetic battle also rages within Carrabba, one pitting Dashboard's solo-acoustic roots against the frontman's desire to move arenas with the intensity of his emotion.

Jack Johnson, 'En Concert' (Brushfire)

In the European Union, they call him Jacques.

Think you know all there is to know about Jack Johnson?

Tegan and Sara, 'Sainthood' (Vapor/Sire)

Canada's most intense sister act grows up (but not apart) in public.

"I know it turns you off when I get talking like a teen," sings Sara Quin in "On Directing," a cut from the sixth studio album by Quin and her twin sister, Tegan.

Devendra Banhart, 'What Will We Be' (Reprise)

Folkie pied piper reins in the freakiness (a little).

Nobody comes to a Devendra Banhart record for trenchant insight into the human condition. "All my thoughts are hairs on a wild, wild boar," he muses here on "Chin Chin & Muck Muck." Instead, Banhart's albums offer ashram-appropriate guitar strums, trippy-hippie tone poetry and, if you're lucky, at least one tune where he sings from the perspective of a rodent.

Syndicate content