Super Furry Animals, 'Dark Days/Light Years' (Rough Trade)

Madcap Welshmen decide to don their sanity caps.

The quality of a Super Furry Animals record usually increases in proportion to its ebullience. So with an opener titled "Crazy Naked Girls," the Welsh psych-pop band's ninth studio disc initially appears to be a career-best candidate.

Young Love, 'One of Us' (Island)

A Pro-Tooled soundtrack for crashing open bars.

Dan Keyes turned more heads in 2007 with his dance-rock debut as Young Love than he ever did fronting his middling emo band Recover. So you can understand why the scene-savvy New Yorker would pump up the deep-throb disco beats even more on this follow-up, which plays like the soundtrack to a self-consciously debauched night out on the Lower East Side.

Tinted Windows, 'Tinted Windows' (S-Curve)

Siamese dream police mmmbop with Stacy's mom.

The lineup of this semi-supergroup isn’t as odd as it initially might seem: Fountains of Wayne’s Adam Schlesinger and ex–Smashing Pumpkin James Iha co-own Scratchie Records, and Schlesinger’s background writing songs for the Jonas Brothers and That Thing You Do! surely prepared him for a collabo with the cute one from Hanson. (As for Cheap Trick drummer Bun E.

The Felice Brothers, 'Yonder Is the Clock' (Team Love)

Former subway buskers bring it all back home.

Plenty of young indie acts pay lip service to the fuck-you spirit of Bob Dylan’s mid- '60s pairing with the Band (then called the Hawks), but precious few honor the raggedy-ass electric folk that they hooked up together.

Silversun Pickups, 'Swoon' (Dangerbird)

Buzz band's melancholy reaches infinite sadness.

These dreamy Los Angeles rockers keep the guitars thick and gauzy on the follow-up to their 2006 debut, Carnavas, which recalled vintage Smashing Pumpkins more than the Pumpkins' own Zeitgeist did.

Gomez, 'A New Tide' (ATO)

Shaggy U.K. roots vets keep on blippin' on.

Long before My Morning Jacket spiked their Southern-rock jams with early-'80s electro beats, these Bonnaroo-friendly Brits were mixing space-age electronica into their funky art-blues brew. Those dots and loops still ripple throughout Gomez's sixth studio album -- check how "Win Park Slope" works up to a Chemical Brothers–style climax.

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