Mark Olson & Gary Louris, 'Ready for the Flood' (New West)

Y'all-ternative twosome still know how to put tears in beers.

Though this duo have recorded and toured together since Olson quit the Jayhawks in 1995, Ready for the Flood is their official reunion album, and it's pure rootsy, rustic alt country. Harmonies are raw and unpredictable in the Bob Dylan tradition, with the pair often sounding as if they're singing at each other.

Robert Pollard, 'The Crawling Distance' (Guided by Voices Inc.)

Uncle Bob's jukebox ready to make room for a slow jam?

This solo album by the ridiculously prolific former Guided by Voices leader, with help from instrumental accomplice Todd Tobias, features another ten songs of standard Pollard-isms -- vaguely British, Robyn Hitchcock–esque vocals warped by reverb and Echoplex mazes; surrealistic, first-thought-next-thought lyrics; sudden loud crunches of lo-fi guitar; and melodies that soar but never quite ac

Holly Golightly and the Brokeoffs, 'Dirt Don't Hurt' (Transdreamer)

No-frills Brit garage duo throw timeless Spanish hootenanny.

Recorded in five days in an analog studio on the coast of Spain with vintage equipment, Holly Golightly's 13th studio album is less primitive garage rock than lo-fi campfire jamboree.

Alanis Morissette, 'Flavors of Entanglement' (Maverick/Reprise)

Irony-challenged '90s icon struggles with lexicon of love.

Even on her sixth studio album, Alanis Morissette’s lyrics still cause you to pause. Did she just sing, “How you land in the soft as you fortify”? Or “Core, born into form, starts in our living room”?

Syndicate content