The Apples In Stereo, 'Electronic Projects for Musicians' (Simian/Yep Roc/Elephant 6)
After 15 years, the Apples in Stereo are still smiling, and their second B-sides compilation (after 1996's Science Faire) is a clear reflection of that indelible good cheer. Paced similarly to 2002's Velocity of Sound, the album opens with structured lo-fi psychedelic rock and edges into a more sprawling expanse, all dusted with frontman Robert Schneider's vocodered hiss.
SHARE THIS:
Estelle
Estelle Swaray just can't understand the pickup techniques of American men. But the recently transplanted Londoner is learning fast. "They talk so much. By the time they get your number, you forgot what their name was," groans the chic 28-year-old, complaining about the "negging" tricks picked up in Neil Strauss' seduction primer, The Game.
SHARE THIS:
Murder By Death, 'Red of Tooth and Claw' (Vagrant)
In this Indiana quartet's young, grizzled hearts, it's always "Spring Break 1899." They brawl like Johnny Cash's cellmates or dreamily swoon like Nick Drake, stomping saloon floorboards in 4/4 time as grand strings fade into high noon. But literate, wantonly nostalgic country rock is a tough sell these days.
SHARE THIS:
Rivers Cuomo, 'Alone: The Home Recordings of Rivers Cuomo' (Geffen)
Rivers Cuomo may be a wimp, a delight, or a sociopath guiding us like Sims through his own personal four-chord experiment -- we just can't be sure. As our most reticent rock star, he's transitioned from nebbish savant with scraped knees and frayed synapses to professional dispatcher of blank, soaring melodies.
SHARE THIS:
Tender Forever, 'Wider' (K)
Bordeaux-born Melanie Valera chased her libido through 2005's sappy The Soft and the Hardcore, and now she sounds un petit disgusted with herself. Her second album is still rife with musings about lovers and secret kisses, but her lilting voice carries a new off-key harshness that complicates matters. Combined with brisk piano and twee synth, the self-loathing-Siouxsie act almost works.
SHARE THIS:
Dengue Fever, 'Venus on Earth' (M80)
Turns out, there's a lot to be said for dancing on Pol Pot's grave. In 2005, these Los Angeles-based rockers made history as the first Westerners to tour Cambodia since the dictator's bloody regime, and that triumph lends a visceral confidence to their third album.




