The Crowd Pleasers: Death Cab for Cutie

Indie vets made good are enjoying the view from the top. Specifically, the view from Ahmet Ertegun's office suite.

Here's a taste of the Death Cab for Cutie Q&A from our May issue. Get the full story on newsstands, or in SPIN Digital (free registration required).

The Raconteurs

Deputy editor Steve Kandell delivers our first impressions of Consolers of the Lonely, out today (for people who buy music, at least).
The Raconteurs / Photo by Stephen Berkman

What's the Deal? Jack White's evil scheme failed, the one where he'd sneak the second Raconteurs album into stores today, under the cover of darkness, bypassing the customary press advance copies, so that all fans could hear the music for the first time at the same time, pure and untainted by critical white noise. But the album leaked Friday. On freakin' iTunes.

Texas Toast

Scenes from the morning after SXSW 2008.
X at the Spin party / Photo by Eric Nowels

There's nothing quite like the sheer hell of the Austin airport on the Sunday morning after South by Southwest. Tousle-headed, sunburned-but-still-oddly-pale cred cops who, three short hours ago, worried only about how to see the Ting Tings play the Dell Computers and Vitamin Water Presents Corporatemusicsucks.com after-afterparty in some creatively converted warehouse, now slowly re-enter a world in which Garnier Fructis gifting-suite sculpting gel is not allowed in one's carry-on.

Reviews: Motorhead, My Morning Jacket, More

Spin deputy editor Steve Kandell runs through his Thursday sets, also stopping to see Times New Viking and Wussy.
MMJ's Jim James / Photo by Melissa Goldstein

Motorhead, Stubb's
Nothing cures hipster fatigue like watching a couple thousand people, many badge-free civilians, throw devil horns in the general direction of Lemmy Kilmister, who looks exactly like he did 30 years ago: awesome and terrifying and haggard. Seemed odd to leave out "Eat the Rich" during an industry show, though. Overheard afterwards: "Doesn't look like anyone in Austin is gonna be able to get their car fixed today."

Review: R.E.M. at Stubb's

Michael Stipe and co. launch their redemption quest on SXSW's opening night.
R.E.M.'s Michael Stipe and Bill Rieflin

"Good evening, children of South by Southwest. Come to me."

Michael Stipe has long been considered a saintly father figure of sorts to indie rock nation, so why not greet the capacity crowd at Stubb's with a fitting benediction? Wearing a knit hat, scarf, sweater, and jacket, the R.E.M. frontman looked like he was more prepared to hail a cab uptown than lead his band through a 90-minute set designed to win over (and win back) an audience of jaded, beer-soaked cranks and bloggerati half his age. But the frenetic one-two punch of "Living Well's the Best Revenge" and "Mansized Wreath," the opening tracks from the redemptive new Accelerate, followed by a lacerating spin through Reckoning's "Second Guessing" a proved a more apt, more complicated greeting: We are not fucking around.

Human Giant: The Power of Three

Human Giant, "the blink-182 of comedy," pick their favorite rock trios.
Finally, American Apparel has gone too far: Huebel, Ansari, Scheer

While your Kids in the Halls and your Monty Pythons prefer to make funny in large gangs, and your Flight of the Conchordses and your Little Britains prefer to work in more intimate pairs, Human Giant—currently launching the second season of their eponymous MTV series—constitute the rare three-man sketch-comedy act. "You always

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