The Flaming Lips, 'At War With the Mystics' (Warner Bros.)
At 45, Lips frontman Wayne Coyne has seen as much ugliness as anybody of his generation. Yet alt rock’s Captain Kangaroo keeps it cheerily surreal, a feat more impressive for how his musical positivity seems -- like some sci-fi monster -- to feed off of horror.
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Neko Case, 'Fox Confessor Brings the Flood' (Anti-)
Besides having the sexiest snaggletooth in indie rock, Neko Case may be the scene's hardest-working gal. She records and tours with Canuck ultrapoppers the New Pornographers; writes, records, and tours as a solo artist; and also finds time for the occasional side project (like her currently dormant duo with Carolyn Mark, the Corn Sisters).
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Various Artists, 'Run the Road, Volume 2' (Vice)
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Cat Power, 'The Greatest' (Matador)
In the performance film Speaking for Trees, Chan Marshall walks barefoot into a sun-spangled field, jacks in her electric guitar, and for the next two hours makes like she's digging a hole in her brain's backyard.
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Hot Chip, 'Coming on Strong' (Astralwerks)
Timmy Thomas' 1972 beat-boxdriven hit "Why Can't We Live Together?" is a paradigm of how machine rhythms can make the human voice sound simultaneously stalwart and vulnerable. That quality has been milked by countless button-pushing acts, from New Order to the Neptunes.
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Diplo, 'FabricLive 24' (Fabric) Mylo, 'Destroy Rock and Roll' (Breastfed)
In the postboom electronica scene, there are two sorts of DJs: the purists who preach to the converted in a bleep-world bubble (German passports are often a tip-off); and the kind of people who, artistically speaking, want hos in every area code -- happy to wallow through all sorts of flotsam to find the groove, used or new, that'll blow the largest number of minds.




